All footage is delivered as Apple ProRes QuickTime files — the same production-grade master format used in broadcast, cinema, and professional post-production. These are large files (typically 1–4 GB per clip) with full color fidelity and no lossy compression.

Every clip is 4K minimum (3840×2160 for landscape, 2160×3840 for portrait). Many clips are available at 5K or higher where the source material allows it — the exact resolution is listed on each product page.

After checkout, you'll receive an email from Fileflare (our digital delivery partner) with a secure download link. You can also access your downloads from your account page. Downloads are available immediately — no waiting for approval.

Each purchase entitles you to download the file. If you need to re-download after the link expires, contact us and we'll issue a fresh link at no charge.

Yes. Every product page includes a watermarked preview video you can watch in full before buying — evaluate framing, motion, color, and pacing with confidence.

Every clip comes with a commercial royalty-free license covering:

• Advertising, marketing, and branded content
• Social media (YouTube, Instagram, TikTok)
• Broadcast television and streaming
• Film and documentary productions
• Corporate presentations
• Client work and agency projects

Usage is worldwide and perpetual — no expiration, no territory restrictions.

Absolutely. Our license explicitly allows usage in work produced for third-party clients. No separate license needed per client or per project.

You may not resell, redistribute, or sublicense the raw footage files themselves. The clips are licensed for use within a production — not for standalone redistribution or stock resale.

Commercial clips can be used in any context — advertising, marketing, branded content, and promotional materials. Editorial clips may contain identifiable trademarks or signage and should only be used in news, documentary, educational, or journalistic contexts.

Our current library features footage from Toronto, Canada and Japan (Tokyo, Osaka, Mount Fuji, Hakone). New locations are actively being scouted — the catalogue grows regularly.

All footage is captured on Canon EOS R5 and R6 cinema cameras, with aerial via DJI Mavic 3 Pro. We shoot in formats that preserve maximum dynamic range and color information, then deliver in Apple ProRes 422 HQ for editing flexibility.

No. Every clip in the Sacraw Studios catalogue is shot, curated, and quality-controlled by one filmmaker. We don't accept third-party uploads — this is how we maintain a consistent visual identity across the entire library.

New clips are added after each shoot — typically in batches following location trips. Follow us on social media or subscribe to our newsletter for announcements on new releases.